Yesterday, angry author Alice Hoffman used Twitter to publish a reviewer's phone number and (misspelled) email address. She encouraged her followers to "tell [the reviewer] off," after reviewer Roberta Silman published a lukewarm review of Hoffman's most recent book, The Story Sisters, in the Boston Globe. Instructing followers to "Tell her what u think of snarky critics," Hoffman caused eyebrows around the twitterverse to raise a few languid millimeters, as the book world vaguely pondered whether reviewers should really be punished for saying what they think.

Their conclusion: No, they should not. After receiving some flack for her tweet, Hoffman tried to turn this tantrum into a principled stance, saying, "Girls are taught to be gracious and keep their mouths shut. We don't have to. And we writers don't have to say nothing when someone tries to destroy us." Uh, yeah.

In an incredibly synchronous coincidence, I just yesterday finished reading Alice Hoffman's novel Here on Earth. Do I dare tell you exactly how I feel about this book? Will my phone number be posted on Twitter tomorrow, beside an impassioned call to action?

I did not like Here on Earth. I only picked it up because my brain somehow crossed wires and I thought I was picking up an Angela Carter book. Carter wrote The Infernal Desire Machines of Dr. Hoffman. She is not, as I now know, related in any way to Alice Hoffman. I had never read Alice Hoffman before.

Here on Earth is a romance novel dressed up as literary chick-lit. Its central character is an unlikeable woman whose choices are dense and reprehensible, and whose family and friends are only slightly less loathsome. Switching through point-of-view characters with irritating frequency and loping along in an uncomfortable present tense, the book spirals outward away from an increasingly irrational and self-destructive heroine as if the plot is mirroring the reader's desire to get out of her unsavory story. Several times in the book, young characters are told that they just don't know anything about love. Maybe my failure to connect with this novel is a result of a similar misunderstanding.

Or maybe it's because of lines like this: "He can spend hours watching a wounded cedar beetle and weep over its rare beauty, as well as its agony." Or this: "He knows what can happen to any man who won't let go of his pain." These lines were written without sarcasm about two different male characters, and they're not even the ones we're *supposed* to hate! Maybe it's because of the close attention paid to sweaters and cookies. Ultimately, though, I didn't buy the violence, the pain, the delusions, or even the love.

The Boston Globe said about Here on Earth: "A sound addition to an impressive body of work." I wonder if that reviewer would have been called out on Twitter, had it been around back in 1997 when Here on Earth was published? Because all that reviewer really said was, "Alice Hoffman has written another of many books." And sometimes, if you're trying to be nice, that's all you can really say.

UPDATE: Alice Hoffman's twitter account is no longer. However, Gawker has screen caps.

Here's a list of the people I referenced in the article if you want to follow them on Twitter:

Alice Hoffman @alicehof (deleted? suspended? torn down in a fit of rage?)

Ron Charles, Washington Post Writer: @roncharles

Islinda, outraged fan: @darkonfire

Thanks to Maud Newton who retweeted it: @maudnewton

Thanks to Susannah Breslin who sent it to me: @reversecowpie

And this is me: @lostcheerio

Labels: alice hoffman, literary drama, twitter

Is it just me or does blogging these days seem tragically onerous? It's a little bit like living in a cabin in the woods, all by yourself. Your cabin may have been built with your own hands, and may be a cabin you're really very proud of, but ultimately it's a cabin that no one ever sees. It's just so far out in the woods, you know? No one sees the brick path you laid, the planters you filled with geraniums, the really neat pot hangers. No one sees your blog either.

It's lonely in the cabin. A person starts to feel like the only person in the woods. So we all come out to the lodge or the campfire, and we start chatting with the other mountain dwellers. Of course, when you're sitting around the campfire, you can't pontificate for hours on the state of your geranium planters. You have to keep it brief, keep it entertaining. That's Twitter. That's Facebook. That's Tumblr. Meet me at the campfire. I'll listen to what you have to say for thirty seconds at a time.

Here's the reality: I'm no longer visiting your blog. Well, that's not entirely true. I'm no longer visiting your blog just to visit. I will read your blog posts if one of these three conditions is met:

1. You tweet or Facebook a link to it that attracts my attention.
2. It appears in my reader, in which case I read it there, in my reader.
3. It turns up in a google search for something specific I want to know.

I don't care about your awesome page layout.
I don't care about your 18 inch blogroll.
I don't even care about your tag cloud.

No, not at all.

I do care, deeply, about your ability to write 140 words at a time in Twitter. I care about your ability to post funny or interesting Facebook updates. I care about your blog posts too, insofar as they fit into my reader, uniformly formatted with all the other posts by bloggers with which I've categorized you. I care about the words you write, but I no longer care about the context in which you write them. And really, I want to say to you, and to myself -- enough blogging. If you can say it in 140 words, you should. No more "What we did today." No more "Here's a funny anecdote." No more "Have you ever wondered about this question?" None of those things merit a blog post any more, and I'm not traipsing all the way out to your cabin to read that! Say it in 140 characters, right here at the campfire, or don't say it. Sorry!

It sounds extreme, and obviously, I'm not entirely done with blogging myself. So what kinds of things can I *not* say in 140 words? What topics do I actually feel justified blogging about, and what blog posts will I still trudge out to your blog to read?

1. Something that's long and funny.
2. Something that's long and useful.
3. Something that's long and contentious.

I might also blog something that's full of pictures, but it must also be either funny, useful, or contentious. Otherwise I can just Tweet or Facebook a link to the Flickr set.

That's really it.

Does this mean that we no longer have the attention span for blogs? Am I now supposed to say something wan and dire about the decay of this or that, or the disintegration of blah blah blah?

No. Because the writing isn't gone. The text isn't even really shorter. It's just that the internet has become more modular. Instead of the context of your layout, your blogroll, your About Me, your profile, your color scheme and the rest of it, you now exist in a larger context. You are now in the context of whatever feed that brings you to my screen. You are adjacent to everyone else. You are without context.

This isn't the decay of anything. It is a literary evolution. Now more than ever, content is king. The blog posts that people do write and pay attention to are less like journals, less like casual diaries, and more like articles -- meaty and complex. The blogs that survive Twitter and Tumblr and will be the ones with actual content that's accummulated into a body of work with merit. For the rest of the blogging population, Twitter, Tumblr, Facebook, Flickr, and Friendfeed will more than suffice. This is a good thing, people. While "Blogging" may be alive and well, "blogging" is dead. Face(book) it: It's just not worth posting the small stuff anymore.

Tweeting this post? Here's a short URL: http://bit.ly/ry1o8

Labels: blogging, facebook, internet, meta, social media, twitter, writing

Some of us parents lead a double life. Not the exciting kind where you end up in Ankara with no recollection of how you got there or why you're wearing only one stiletto, but a double life of the mind. We make our mom faces, wear our mom clothes, and use our mom vocabulary. Even those of us who are "cool moms" create a mom persona -- it doesn't have to be all braided hair and cookie dough. My mom persona is constructed out of different parts: part is my own personality, part is what I think mothers should look and sound like, part is how my mother was, and another part is a new creation -- something that came out of me after my kids came along, that wasn't there before. I like being a mom.

However, I do have a separate piece of my brain that's entirely personal. This piece is a survivor from a time before my children; maybe part single girl, part newlywed, maybe even part teenager. I try to let it change and grow apart from my "mom" self, so that I don't just become the mom and abandon the real me. So that I don't look around when my kids leave for college and realize I have nothing to do but wait for grandchildren. Writing novels is part of that separate piece, and blogging is part of the separate piece (peace?) and recently Facebook, for me and a lot of moms I know, has become part of it.

Yes, we've always had our email lists and phone calls, but there's something about posting OMFG, I need them to be asleep. Must. have. quiet. as one of my friends did recently, that provides instant gratification. You wouldn't write an email to say "Why is it that my children think they need to physically help me open a pack of gum?" But if you Facebook it or Twitter it, you'll have five or six amusing answers within a few minutes, and nowadays really that's all you want. Email has become the new snail mail -- it feels cumbersome, antiquated, and formal, like you need a really good reason to do it, especially to a whole group. Facebook and Twitter is where you go for instant luv now. To shout out to your mom homies, and hear a "hellz yeah" back. Of course, you can't shout out to your mom homies with the children in the room.

But it's not just about complaining about your kids. As more people find and use Facebook, your friend list becomes a synthesis of your entire life. You have high school friends, college friends, ex-boyfriends, professional acquaintances, people who only knew you when you played in a rock band, people who only knew you when you were a cool writer chick, etc. Putting all these people in one place is perplexing enough, without introducing them en masse to your children, who may not know that Mommy wrote a kind of edgy experimental book back in the 90s, who may not see Mom as a rocker, who have no concept of any previous life that Mom may have led, or really anything that existed before they, the children, came into the world.

Which is why you get posts like this, from another friend: I need to post something funny but don't want any speshul snowflaks to see. To which I responded: Whisper it in groanupps langwadj. And another mom added: We must find a way around this... Well, don't we still have email? Don't we still have the telephone? Yeah, we do. But since we've tasted the sweet, sweet nectar of Facebook and Twitter, we can't go back to the old way of doing things. Anyone want to run out and register Mombook.com?

To recap, there are three reasons to NOT friend your kids on Facebook:

1. No more bitching about the kids or reporting the funny things they do/say.
2. Kids get to meet Ralph the pierced stoner and experience all his video posts, then ask me how I know this Ralph guy and what those people are doing with that garden hose.
3. Now I have to edit everything I say to make sure it's safe for the dinner table.

But some of us have kids old enough to have their own Facebook accounts. High schoolers, even. So, are there any reasons TO friend your kids?

1. Know what your kids are up to. This was actually the reason I joined Facebook in the first place, and my first two friends were my two teenaged stepchildren. See -- it works both ways. Maybe someplace on LiveJournal there's a post called "Would You Friend Your Mom on Facebook?"
2. If they ask you to friend them, and you don't friend them, then that feels mean. And it is mean. There's just no way around it. You don't want to say "I won't be your friend" to your child, even if you explain it in the kindest possible way.
3. Maybe, just maybe, it's a good thing for the kids to see their moms in this context.

For example: Yes, Mom has friends. Yes, Mom makes snarky comments about politics to people I've never met. No, I don't get all the inside jokes on her Flair corkboard. No, I didn't know she went to college in three different places. Seeing mom in the context of other adults, in the context of the great big world, and witnessing some interactions that have nothing to do with children, nothing to do with them, might just be good for our kids, especially the older ones. I have no solution to the privacy problem or our need for an "Adults Only" zone that's just as fun and immediate as Facebook, but until we figure it out, I am pretty sure that friending your kid is the only thing you can do.

What do you think?

Related post: Twitter, Tumblr, and Tags: You Are Still All Alone

Labels: facebook, kids, momblogs, parenting, social media, twitter

In spite of the flurry of social media that surrounds me, I am still all alone in the space between my ears. In the moment of any creative act, there is nothing outside my own brain that can help me, no synergy, no immediacy of connection can save me. All the networking in the world is a noise and a dissipation when it comes to my book and the words that I have to put together, to get the book done.

I was standing in my kitchen when it hit me. It was one o'clock in the morning, and I had been writing my novel. Frustration drove me away from the keyboard and into the other room. I stood there with one hand on the phone, but at 1am, I couldn't call anyone here in Virginia. My family was asleep. Even west coast friends would need a reason to pick up the phone this late. There was no noise in the house. I was truly completely alone with my book and a couple of really tough scenes. If I were going to phrase the problem as a Tweet... if I were going to tell my writing group about it... if I were telling someone in an email... but it didn't matter how I could phrase it or present it or package the problem. I was only having it, not reporting it at all.



Of course, there were lots of people I could have "called" online. With a Twitter search, I could find people writing novels just like me and talking about it at that very moment. I could find blogs, message boards, email lists. I could shoot out a Facebook status update and within minutes have people tell me how it would get better, how they had been there, how I could fix it. But I realized, standing there in my physical form in the middle of the night -- tired, cold, close to a breakthrough -- that it wouldn't help.

I couldn't get what I needed from the vast amorphous "them" out there, the support, the network, the like minds. I stood there gripping the counter, facing the idea that I might just have to give up on writing this difficult book, doing this difficult thing. And I realized, it's not that I don't have the right support, the right help and connections. It's that support cannot help. Connections cannot write this miserable book. I have to write it. Word by word, wrenched straight out of my own brain, going straight down into my book -- not offered for critique on a message board, or discussed in Twitter, or announced in a blog.



This is me. Just this physical form and the electricity in my head, all online appendages amputated, all connections severed. This is you, alone, thinking. Making something up in your brain. Directing it onto the page. This is the only thing that ultimately matters.

Connections are addictive. I live online. My Twitter feeds my Facebook. My YouTube feeds my Tumblr. There's a camera in my laptop lid, a camera in my phone, and then there's my actual camera and my Flickr. On web sites and blogs, with hashtags and Digg, I find people who are watching the same show I'm watching, eating the same food I'm eating, shopping for the same kitchen appliance, etc. etc. In the interest of full disclosure, I am linking out to all my social media, but this isn't all. There are forums, games, elists, and more. If I have a question, or need to say something, I can push it out to hundreds of people who are the same as I am in some way: writers, readers, homeschoolers, people from the neighborhood here, people from my hometown. I can find people who think the same, look the same, live the same, and I can access them immediately. I have their ears.



Maybe you can push your message out to thousands who are just like you in some way. But are they just like you in that one crucial way? I cannot find anyone who is writing the same book. No one can talk to me about that. And if they did? Sound and dissipation.

It's me. It's 1 AM. There's a book not getting written. For this I have to be all alone. And when it comes down to getting alone, I can see that in this way, for this purpose, I have been alone all the while, with bees buzzing around my head, and a radio playing in the background, and a train passing by outside, and a fan blowing, rasping away. And yes, I get the irony: I am telling you this in a blog. I have found the way in which we are exactly alike. But for this purpose, in this one instance, let's not talk about it at all.

Labels: meta, personal, social media, twitter, writing