Take the Books to Disney World: Even Kierkegaard Gets the Muppets

Today three books accompanied me to Disney MGM Studios: The House of Sand and Fog by Andre Dubus, Fear and Trembling by Soren Kierkegaard, and As I Lay Dying by William Faulkner.

There are two "thrill rides" at Disney MGM Studios: Tower of Terror, where an elevator car gets yanked up and down, and up and down, and up and down again, causing the contents (book and human) to freefall periodically, and the Rock and Roll Roller Coaster, where you get shot around in the dark, including upside down. The House of Sand and Fog rode both these rides, even the freefalling one, even though I was actually crying at one point, crying for my life to return to me.

Here's The House of Sand and Fog blending into the decor inside the Hollywood Tower Hotel (where the aforementioned elevator is located):



Here he's posing with a fellow fan of freefall:



This guy said, "What's the book about?"
And I said, "Well, it's pretty depressing. So I brought it to Disney World to cheer it up."
And the guy said, "Fair enough."
Brits don't demand too much explanation when it comes to odd projects.

The House of Sand and Fog and As I Lay Dying both really loved the Beauty and the Beast live show. Here they are watching a foggy scene, and the scene where the beast lies dying:




They further bonded over some pin trading:



And at the "Honey I Shrunk The Kids" playground. Here's The House of Sand and Fog playing hide and seek:



Look on the rocks behind the giant tub of Play-doh, As I Lay Dying! I think that's where he's hiding!



Oh, wait, it's only Fear and Trembling, having another pout.



Don't get pizza sauce on your Oprah's Book Club badge, The House of Sand and Fog. And sit up straight in your high chair.




It wasn't until we got to the Muppets in 3D Movie that Fear and Trembling began to appreciate the outing. Kierkegaard said he liked the muppet community because each member maintained his own uniqueness and character, and there was no assimilation or group mentality. He also said it was difficult to understand, and therefore inspiring. It may have been made more difficult by his refusal to wear the 3D glasses, but... I didn't want to press him. He kept leaping into a fake props box marked "2D Fruities."



One final literal interpretation. The House of Sand and Fog in Tattoine:



Tomorrow is our last adventure in the Magic Kingdom. A Room of One's Own has been clamoring for a seat on the tour bus. We the Living too. So it'll be girls' day out, with Anxious Pleasures to chaperone, naturally.

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Take the Books to Disney World: Fear and Trembling at Cocoa Beach

We are still on our way to Disney World. No one should panic.

Tonight we went to see the Delta IV Rocket launch from the Kennedy Space Center at Cape Canaveral. We stood on the edge of the ocean at Cocoa Beach to watch it go up. I took along Fear and Trembling by Soren Kierkegaard, and We the Living by Ayn Rand. I thought that Fear and Trembling would really appreciate the way the rocket was subverting the universal for the individual, and of course, the trembling beach beneath us. I knew that We the Living would deeply respect the simultaneous frailty and power of that rocket climbing into space, an expression of human achievement, and another mad swipe at the firmament.


(terrible video uploaded from mobile phone!)

Unfortunately I got excited watching the rocket, and forgot to take either book out of my bag so that they could experience the sublime rumbling, the flash of orange that lit up the ocean, and the cries of fellow rocket nerds: "Happy Birthday, NASA!"

There was a bit of grumbling and a "What's that, a piece of apple core?"

To make up to the books for my gross neglect of their entertainment, I took them instead to the world famous "Ron Jon Surf Shop." It was on our way back to the car, and I thought they might enjoy it?

Here are the books:




And again:




See how the blonde loves literature? We the Living is the short one. Fear and Trembling is taller.

About this surf shop experience, Kierkegaard had the following to say:

"It goes without saying that the tragic hero, like any other man who is not
bereft of speech, can say a few words in his culminating moment, perhaps a few
appropriate words, but the question is how appropriate is it for him to say
them. If the meaning of his life is in an external act, then he has nothing to
say, then everything he says is essentially chatter, by which he only diminishes
his impact, whereas the tragic conventions enjoin him to complete his task in
silence, whether it consists in action or suffering."

I chose that quote for him because I see that as an undergraduate I wrote the word, "HAH!" next to that paragraph in the margin. I must have been anticipating the culminating moment of this particular book, outside the Ron Jon Surf Shop, and Kierkegaard suffering in knightly silence.

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  • My name is Lydia. I’m never wrong. If you are a writer with a completed manuscript, I can help you in all stages of editing. Click here to find out more about my work as a book doctor, and read my references. If you've already published a book, and would like it reviewed here, email me.
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